Linguistics
Shahriar Hemmati; Hamed Poorheshmati
Abstract
The village has a great place in the path of contemporary narrative discourse and its narrative calling flaunts in the bed of ballades content and their sensitive images focal. Using various conceptual connotations, the village changes its functions in different situations based on the type of interaction ...
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The village has a great place in the path of contemporary narrative discourse and its narrative calling flaunts in the bed of ballades content and their sensitive images focal. Using various conceptual connotations, the village changes its functions in different situations based on the type of interaction of the poet and his degree of dependence on topics that have a realistic or dreamlike relationship with this place. Mohammad Afifi Matar is a great Egyptian poet who views the village as an open place with narrative mechanisms and characteristics with rich implications and concepts, and he emphasizes on the importance to the scenes of his hometown village and the needs of its inhabitants or the quality of the functioning of the village in the framework of technical pictures. The local quality of the village that has in his poetry, introduces the reader to a series of real or unreal events and invites him to more sympathize and presence of the narrative process. This research is based on the descriptive-analytical method that it proceeds the narrative of the village in Mohammad Afifi Matar's poem and the result of the research suggests that the poet at describing the village is a wise narrator who has an influential presence in the process of its occurrence and presents them in three main aspects that are the nostalgia of the village which is related to the childhood of the poet and his past, and the other is the expression of an optimistic image, which is expressed in natural oriented and manifestations of richness, pretentiousness and its freestanding, and it approaches to being ideal. Then, a dark tragedy is usually related to the natural and social life of the village and appears in the drought and poverty and the hunger of its inhabitants.
Shahriar Hemati; Hamed Poorheshmati
Abstract
Characters masque technique features a lofty technical value because the symbolic and dramatic dynamicity thereof in the contemporary literature has bestowed a lot of inspiring implications of the kind of inventive expressional loads to the words in the Arabic poems; these implications are capable of ...
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Characters masque technique features a lofty technical value because the symbolic and dramatic dynamicity thereof in the contemporary literature has bestowed a lot of inspiring implications of the kind of inventive expressional loads to the words in the Arabic poems; these implications are capable of transcending beyond borders of the non-intermediated discourse that is close to tangible reality, so that a new situation which is interlaced with the poets’ values and traditions can be created. As a literary technique evolved from the call on the characters, this masque technique enjoys distinct methodical renderings in the poems of Solayman Al-Isa and, being inclined towards intermixing the present and past conditions, it compels the poets to express the pervasive challenges and problems in the depth of their experiences and incites them to fancifully react to the individual and social dramatic subjects in their periphery. Taking advantage of the purposive techniques forces the poets away from the mere narration of the past incidents and consecutive and transient calls on the characters in the margins, disguising the various characters with masques or getting close to beneath their masques. I helps to establish a sort of close interaction between the poets and the called-upon characters as well as between the poets’ contemporary conditions and the events of the societies before a given community. This study used a descriptive-analytical method to deal with the technical and implicative aspects of the archetypal characters’ masques in Solayman Al-Isa’s works and gain access through a sort of processing to many of the archetypal characters’ masques that might be pertinent to religious, literary, historical and folklore matters. Poets have defined special functions and methods for all of such archetypal characters’ masques. Consequently, they have become simply and easily capable of removing the wall between the distant temporal intervals between poets and their applied characters.
Hamed Poorheshmati; Kobra Roshanfekr
Abstract
In addition to its patriotic function, the mission of resistance poems is international. Because this kind of poem utilizes all its literary and technical capacities to arouse public interest, as well as bring a lawsuit against unwelcome developments in political and social fields of different nations. ...
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In addition to its patriotic function, the mission of resistance poems is international. Because this kind of poem utilizes all its literary and technical capacities to arouse public interest, as well as bring a lawsuit against unwelcome developments in political and social fields of different nations. Throughout history, Afghanistan has terribly suffered from unjustified presence of foreign enemies as well as its arbitrary government. However, the presence of such colonialists as Russia and Britain in Afghanistan, as well as the tyranny of the local government have finally been ended with Afghans' victory in different battlefields. Their resistance against cruelty has demonstrated their high capacity to fight against colonialism to the extent that poets from other countries have composed poems in praise of that public movement on the theme of Afghanistan resistance. A case in point is attempts of Jaber Qumaiha, a contemporary Egyptian poet, to show different aspects of resistance in Afghanistan in his collected poems entitled "I sing about Afghan's jihad". This analytical-descriptive research aimed at alluding technical themes of resistance in the work of Jaber Qumaiha. The results of the present research suggest that the poet has introduced the conception of sacrifice in themes of piety and monotheism as the key factors to Afghan's victory in order to express motif of Afghanistan resistance; moreover, Afghan children susceptibility to the war has also been emphasized in order to arouse the sense of social accountability. With regard to the technical aspect, the poet has emulated religious figures, particularly the Islamic Prophet. But on the other hand, by voicing the same opinion, as well as knowingly adopting Quranic interpretations, the poet has set the stage to convey the message of resistance and show its relation with patriotic issues.
